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Es ist asymmetrisch und darum besonders herausfordernd.

Die Gestalt ist gefesselt, also doppelt ausgeliefert… aber gleichzeitig hat sie sich selbst aktiv in diese Position begeben.

The Pillars of the Osada Ryu When looking at rope performance in any capacity, whether it is for a crowd or for a scene, there are important choices that we can make regarding movement and technique that will lend stronger and more varied intention to your rope work than simply tying patterns.

Because this way of tieing is so intimate, it feels all the more revealing when you push my top down and everyone can see it.

The opposite of boring or monotonous rope, creating changes in pace and tone provides a story arc to the scene.

Our forefront rope organization, Rope Bite Atlanta, is led by three uniquely different rope enthusiasts, myself included.

This time, I would like you to talk about Yukimura Haruki sensei.

Through the use of pressure points and pain, we can move a bottom into a position that supports the conceptualized notion of the scene.

laughs You can find the Japanese version of this interview.

The enigmatic teppo suspension aka teppozuri 鉄砲吊り aka rifle suspension results in the shape of a soldier shouldering his rifle.

Whether it is through our placement, our frictions or our rope handling and management, efficient and precise rope work will only come through practice and repetition.