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According to writers of the period, Juana refused to leave the body's side for months, frequently having Philip's casket reopened to gaze upon and even kiss his corpse.

I realized how powerful her passion for him was, but it was only thanks to the dialogue, not to the acting, neither to the filming style does anyone else think the film needed more close-ups, mostly during highly emotional scenes? London: Longmans, Green, Reader and Dyerm 1868, p.

18 July 1501 19 January 1526 1526-01-19 aged 24 married in 1515, and had children.

Regardless, given the number of male rulers in European history that were also of questionable mental fitness, it seems unlikely that any mental health issues Juana may have suffered from would have ended in her imprisonment and removal from power if she had been king instead of queen.

Her son and heir-apparent, Charles, later Charles I, was a six-year-old child being raised in his aunt's care in northern European ; her father, Ferdinand II, remained in Aragon, allowing the crisis to grow.

She was the sister of and.

Ferdinand II had named Ferdinand as his heir in his will before being persuaded to revoke this bequest and rename Joanna and Charles I as his heirs-presumptive instead.

In fact, Phillip's nickname was "the handsome", something that comes across in the way this vain man acts throughout his life.

And that is strange, as I would have thought that this kind of film was right up his street.

Even though the movie takes place over 10 years, the roles don't mature, either outwardly or inwardly, and the result are wooden characterizations that don't give any depth or generate interest, for that matter to the roles.

She was so convincing in this role, so touching and so brilliant.