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Elsewhere in Europe, leading artists adopted Romantic styles: in Russia there were the portraitists and , with specializing in , and in Norway painted scenes of.

According to , Romanticism embodied "a new and restless spirit, seeking violently to burst through old and cramping forms, a nervous preoccupation with perpetually changing inner states of consciousness, a longing for the unbounded and the indefinable, for perpetual movement and change, an effort to return to the forgotten sources of life, a passionate effort at self-assertion both individual and collective, a search after means of expressing an unappeasable yearning for unattainable goals".

They took the Romantic approach of rooting religion in the inner world of the human spirit, so that it is a person's feeling or sensibility about spiritual matters that comprises religion.

If not realist, late 19th-century art was often extremely detailed, and pride was taken in adding authentic details in a way that earlier Romantics did not trouble with.

Polens "tre stora barder" Mickiewicz, och grundade den polska nationalromantiken.

in his published lectures of 1841• Displays of intense emotion in art remained prominent, as did the exotic and historical settings pioneered by the Romantics, but experimentation with form and technique was generally reduced, often replaced with meticulous technique, as in the poems of Tennyson or many paintings.

His brother was having romantic troubles at the time.

In Italy, the most important Romantic sculptor was.

The English scientist Sir , a prominent Romantic thinker, said that understanding nature required "an attitude of admiration, love and worship, [.