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In this regard, sex should be seen as Misato's "relationship barometer" in which if she has offered sex to someone, she must have some sort of deep emotional bond to someone, if not romantic love in its entirely.

- More on this later The Aftermath-- Episode 24 More on this later Episodes 25 and 26 EoTV, like it does for Shinji, Asuka, and Rei, at first becomes a shocking indictment of character on the part of Misato.

In an interesting contrast between Misato's photograph, the picture she possesses of Shinji, attached to the dashboard of her car, presumably from the Marduk Institute, shows Shinji tight-laced and prim in what appears to be his school uniform.

For Misato, sex acts as one of the primary functions to determine the strength of relationships.

After seeing her in her room, Fuyutsuki was told that she had not spoken since the incident.

In this scene Misato states the following in her conversation with Ritsuko: see montage box Regarding the outset of the situation, Shin-Seiki describes it best: "There's a lot of Freud referenced in NGE, and one of his ideas is that 'unacceptable' thoughts and desires cannot be suppressed entirely: They tend to come to the surface one way or another, "Freudian slips" being one example, or, as we see here, they get expressed as 'mere jokes'; and I would say this is a pretty self-implicating joke for Misato to make.

Later, she confesses to Kaji that he reminded her too much of her father, and was afraid to lose him.

Misato drives a blue , a car which is at least fifteen years old.

Does she see him as a valid interest? Her mutism went away when she began to attend college and she became more social and talkative, so much so that Ritsuko, while reminiscing about her friendship with Misato and at that time, thought that Misato seemed to be attempting to "make up for lost time.

Is she actually trying to get a good look, or is she being flirtatious? Misato: Pen Pen, come here.